famous works – Skunkadelia https://skunkadelia.com Steel Sculptures of Friendly Robots Thu, 08 Dec 2022 04:12:36 +0000 en-US hourly 1 https://wordpress.org/?v=6.7 https://skunkadelia.com/wp-content/uploads/2020/09/cropped-skunkadelia-favicon-1-32x32.gif famous works – Skunkadelia https://skunkadelia.com 32 32 Nahamani j410 https://skunkadelia.com/works/nahamani/ Sat, 18 Dec 2021 20:10:13 +0000 https://skunkadelia.com/?post_type=product&p=7945 Star i381 https://skunkadelia.com/works/star/ Sat, 04 Apr 2020 21:13:30 +0000 https://skunkadelia.com/?post_type=product&p=6386 Dyanna t368 https://skunkadelia.com/works/dyanna/ Wed, 13 Nov 2019 04:07:49 +0000 https://skunkadelia.com/?post_type=product&p=6130 A Somernovian Story: Skunkadelia & Dyanna from Somernova on Vimeo. Dyanna was a commissioned piece to be the icon of fearless innovation for Somernova. She is located just outside my studio space at the Artisan's Asylum. She loves to have her picture taken with folks who come and visit her. [caption id="attachment_6137" align="alignnone" width="703"] A steel heart was placed in the chest cavity of Dyanna before sealing it in with a backplate.[/caption] Dyanna has a secret: the last thing I gave her was a big strong plasma-cut bronze encrusted robo-heart. Here's the last image taken of the 'Heart of Dyanna' before it was sealed forever into place, never to be seen again. Four CNC tool holders, scuba tank, vintage motorcycle tank, antique truck swilvel ball joint, two Bridgeport handle wheels, two tool holders, acme threaded rod, axe heads, railroad spikes, bolts, bicycles, MBTA garage springs, antique wrenches, antique lathe belt gear, two lathe chucks, two beam connectors, two spindles, steel tubing, motorcycle clutch plate, large gears, nuts, washers, bronze estimated mass: 800 lbs

Where to find Dyanna

Dyanna greets folks as they enter the Somernova Courtyard. See the map below for her exact location. Come and visit! ]]>
Cameo p358 https://skunkadelia.com/works/cameo/ Tue, 11 Sep 2018 20:14:10 +0000 https://skunkadelia.com/?post_type=product&p=5612 IFF Advertisement on the MBTA[/caption] [caption id="attachment_5833" align="alignnone" width="703"]IFF Botston Banner IFF Botston Banner[/caption] [caption id="attachment_5846" align="alignnone" width="703"] IFF Boston 2019 Program Guide[/caption] [caption id="attachment_5847" align="alignnone" width="703"] IFF Boston 2019 Program Guide Inside Front Cover[/caption]]]> Liz m338 https://skunkadelia.com/works/liz/ Mon, 04 Dec 2017 20:38:19 +0000 https://skunkadelia.com/?post_type=product&p=5280 The Girl With the Purple Cane'.
While I normally don't do portraits, I was excited to give it a try with after watching Liz speak: she has a strong personality and I was excited to see what pieces of metal I could find that would fit together to give the impression and spirit of her. Finding the blue bicycle fork blades that became her jeans was a rare stroke of luck​ - I felt that was a great sign. The bracelet was inspired by her sweatband, and I smiled pretty hard when I welded the head at the right tilt - that's when I think she really came to life. Spare Parts Liz was also the first Astrobot to have glasses, and it took some iterations and even some bench grinding before I felt they were right. Probably the most challenging part was the hand holding the purple cane: to get metal to act as if it's holding a handle, resting some weight. I'm very happy how she seems to be slightly leaning on the cane, but not too heavily. It was also very gratifying to use a small sledgehammer to get her rivet-fingers to curl around.
I learned a lot from listening to the Girl with the Purple cane and it was an honor to make Spare Parts Liz.
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Zzyzzy j327 https://skunkadelia.com/works/zzyzzy/ Fri, 20 Oct 2017 02:46:48 +0000 https://skunkadelia.com/?post_type=product&p=5181 Dionysus class Astrobot, but the more I picked though the parts bins, the more I was drawn toward something larger: then I rediscovered this amazing wizard-head of an auger, buried in the bottom of one of my larger pails. When I found a steel flange that fit perfectly over the cone to rest on the rest of the 'head', I couldn't resist making a body to suit. He started out with his legs half the size they wound up being, but this time I wanted to make a lanky Astrobot. I used to work in a close-up magic store in Burlington Vermont back in the mid-90s. I learned a bunch of close-up magic basics that I still play around with it sometimes for friends, as well as my friend's kids. I like to think that my gang SCUL is magic. I like to define magic as nature or technology that is beyond the comprehension of the observer; I suppose under that definition I think the postal system is magic. His hands articulate: the palms were constructed from this strange pipe clamping set I got from a good friend of mine. The set only comes with one set of jaws for each size of pipe, so naturally one hand is larger than the other. I chose the wizard to be left-handed. I took apart a differential from an automobile, these make up the elbows and knees. Most automobile parts are too rusty, or oily, or big and awkward for robots of my scale. I won't go looking for parts like these but I'm happy when someone donates them to me. By the way, nearly 100% of my metal is donated, and almost all of that is delivered to my studio. This was very much appreciated since I had been living car-free from 1999 to 2017. This wizard has a bunch of very old open-ended wrenches, which are very beautiful to me. When I had the thought to weld a nut into each open ends, I was surprised how small the nut was for the size of the head. It has to do with the strength of the steel: before wrenches were drop-forged, the steel was softer - so they had to be thicker to withstand the torque required. I'm particularly fond of the s-shaped wrenches I used for his Achilles heels. There are a lot of subtle details on these tools that make for a more interesting form. One of my mentors, Marjorie Picchi, one said to me "When you think you are done, that's when you're halfway done." Zzyzzy took much longer than most of the Astrobots I've made, but he looked done while standing around at my studio. I took breaks from the work for weeks at a time, sometimes distracted by other projects, but also to get to know him. One day I went to work in my studio and when I saw him I just stopped in my tracks and just smiled - that's when I knew he was complete. Long before I learned how to weld, I was planning to make a giant menacing looking robot from steel duct work. I had no good source for materials, but I was convinced I could find what I needed enough to buy some big copper rivets to join the steel together. I'm very glad I never took on this project, as I prefer what I'm doing now - but I kept the rivets for nearly twenty years before Zzyzzy came along. I found them to be the perfect accent for all the fake joints. They look great with the bronze 'charm rivets' too. Zzyzzy represents the best of my work and I'm very proud of how he came together. I enjoyed having him as a companion for three years before he left home for his own adventures.  ]]> Davis j325 https://skunkadelia.com/works/davis/ Wed, 18 Oct 2017 18:15:55 +0000 https://skunkadelia.com/?post_type=product&p=5174 Forty bicycle parts, two ride-share station connecting pins, tallbike disco-ball cradle (formerly an iMac part), three flanges, twenty eight square punch blanks, fourteen flooring nails, twenty-one washers, two castle nuts, two cover plates, two CO2 cartridge tops, copper, bronze. 22.5 lbs 22 x 12 x 7 inches While I have had many Astrobots of mine survive for winters outdoors, Davis j325 is my first public art piece, thanks to the Somerville Arts Council's Phone Box Art Project. It's an honor to have such a fantastic spot for Davis to be: between to the Somerville Theatre outdoor ticket booth and the Davis Square T Stop. Obviously I named Davis j325 after the square she inhabits. I built her to be tough in the hopes she will survive on her own: although I find Davis Square to be very friendly, she still has to endure whatever life and the elements throw at her. I added what I feel is a little piece of Somerville history into Davis. My bicycle chopper gang, known as SCUL, has looped Davis Square dozens - if not hundreds - of times on its Saturnight missions; Davis is one of the few 'constellations' we often loop twice. For ten years my ship - the flagship of SCUL, UBS Cloudbuster, carried what we referred to as the 'Disco Deth Stah': a sixty-pound telescoping mast supporting a lit and rotating mirror ball - a shining beacon of my beloved gang, originally inspired by Project MUM. After many missions and more than a few crashes - the last of which was into a giant I-beam under a bridge near Assembly Square that nearly dashed me to the rocks of the low waters of the Mystic - I retired the sixty pound telescoping mast, and saved the steel for later projects. The skirt of Davis j325 was once the very cradle that supported the Disco Deth Stah, and has seen traveled on many amazing adventures before retiring. SCUL was a huge help in the installation process: Red Squirrel, Leotard, Acehole, Rad Max, Lord McFuzz, Perilous, Buckminister, Pastry Queen, Excess, Kpafun, and the passerby who owns a cordless sawzall, pitched in and provided support. The installation took four hours and were done before sunset, so we did not have to work in the dark. There was a lot of excitement from passers by as we worked, delighted to see the new lady Davis. I felt strange leaving her alone for the first time, as if I was forgetting something; however as we rode away toward our home base, a feeling of great joy came over me, knowing she'll hopefully serve as a reminder to those to stay tough, keep your eyes wide open and your chin up, and to stay positive and hopeful no matter what life throws at us. I'm also excited to have Davis j325 live so close to the Somerville Theatre, since I have been making the trophies for the Boston Independent Film Festival since their second year. I regularly check in on Davis, since she's on my regular commute: but I'm hoping Davis will take care of Davis, and Davis will take care of Davis in return. Coordination help from Emily Abramovich.  And special thanks to Ian Judge @ Somerville Theater.  ]]> Adriana m307 https://skunkadelia.com/works/adriana/ Wed, 17 May 2017 15:46:22 +0000 https://skunkadelia.com/?post_type=product&p=4994 6 lbs. 7 oz. 20 x 7 x 5"]]> Dan n309 https://skunkadelia.com/works/dan/ Wed, 17 May 2017 14:25:22 +0000 https://skunkadelia.com/?post_type=product&p=4988 Dot m305 https://skunkadelia.com/works/dot/ Mon, 17 Apr 2017 16:16:44 +0000 https://skunkadelia.com/?post_type=product&p=4920 Work By Kelly Shpeley The painting that inspired the creation of "Dot", by artist Kelly Shpeley[/caption] Dot was inspired by this painting by Kelly Shpeley. As the client and I hand-picked parts from my metal collection, we kept referring to the painting as 'the photograph from the future.' While at first I has a difficult time imagining solutions to the glass dome, the bendy arms and legs and the heart, I thought we'd give it a shot and see what happens. I'm proud of Dot quite a lot. thirteen bicycle parts, machine block, two lathe chuck jaws, two valves, two springs, acme threaded rod, two ball bearings, gear, two reamer blades, copper, bronze, enamel 8 lbs. 6 oz. 12 x 5 x 6.5 in.]]> Kepler m254 https://skunkadelia.com/works/kepler/ Fri, 03 Feb 2017 17:29:36 +0000 http://skunkadelia.com/?post_type=product&p=4806 Proteus Class. Essentially he stands around waving his arms at everyone, it gives him great story-telling body language. sixty bicycle parts, two milling blades, castle nut, balance scale bell, forged plant hanger, vegetable steamer louver, six nuts, three bolts, four washers, bronze, copper, steel, enamel 9 lbs. 6 oz. 23 x 14 x 4"]]> Sunni m235 https://skunkadelia.com/works/sunni/ Tue, 23 Sep 2014 06:23:35 +0000 http://www.skunkadelia.com/?post_type=product&p=2502 Hathor j114 https://skunkadelia.com/works/hathor/ Mon, 12 Aug 2013 13:01:33 +0000 http://www.skunkadelia.com/?post_type=product&p=2106 The sun god Ra was losing the attention of the populous, and decided one day to do something about it by giving Hathor omnipotence for ten days. She was to reign terror on the planet, no holds-barred, to get some attention. Hathor began her work, killing lots of people. When she got a taste of human blood, she realized she loved it! This caused her to kill much more quickly than Ra had expected, and the population was rapidly depleting and was due to run out days before her tour. Ra became upset by this: what good is being a god without followers! When Ra becomes upset, the sun cooks the land. With all the blood and guts around, the heat made the stench unbearable to those still left alive. Ra had all the attention he wanted, but was powerless against Hathor's omnipotence. All he could do was advice the remaining population to sprinkle barley on the blood to absorb the smell. In the heat , the blood and barley fermented quickly. Hathor got a taste of this, and liked it even more than the blood! She quickly drank up all the fermented blood-wine, and wound up passing out. When she awoke with a god-sized hangover, her omnipotence had expired. She was built a temple which was filled with food and drink, for every time she needed rest on the way back to her home.  Hathor lived and toured with the artist for many many years before retiring to a private collection, and is a very well known celebrity.

Awards

  • Best in Show, Arisia 2009
  • Art Show Staff Choice, Arisia, 2009
  • Best in Show, Arisia 2011
43" tall. 90 lbs.]]>