copper – Skunkadelia https://skunkadelia.com Steel Sculptures of Friendly Robots Fri, 08 Dec 2023 00:18:04 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://skunkadelia.com/wp-content/uploads/2020/09/cropped-skunkadelia-favicon-1-32x32.gif copper – Skunkadelia https://skunkadelia.com 32 32 Opal i247 https://skunkadelia.com/works/opal/ Sat, 25 Nov 2023 22:39:35 +0000 https://skunkadelia.com/?post_type=product&p=11728 Opal's hands took a whole day to create - it was a day of great joy. Note the slightly bent up pinky and ring finger of her right hand, shaped to contour the leg it's to rest upon.[/caption] The hand's that were made for opal may be the most expressive part of the sculpture; carefully created from square punch blanks from an ironworker, mated with ten small bits of a stainless steel bicycle spoke. Stainless is even tougher to bend and form just right than mild steel, and great care with the TIG torch was used to weld them on just so, without melting other fingers off in the intense heat affected zone. Needless to say I did not successfully perform the procedure ten times in a row, but perseverance and learning from setbacks helped to pave the way to eventual success. Opal's torso is a copper plumbing flange which sat waiting for decades in a metal box amongst other precious 'maybe someday' parts that are beloved and are reserved for just the right occasion. The whisky-brown tint was an unexpected result of the polyurethane coating discoloring from the heat - which came from a post-birthday touch-up weld, which the copper absorbed like only copper can. The colors looked so rich that I opted to add an additional coat of polyurethane layer rather than clearing it off with acetone. [caption id="attachment_11770" align="alignnone" width="1900"] Opal's arms were made with some bolts, a hacksaw, some files, a sturdy vise, and great deal of moxie.[/caption] Opal's arms started out as average threaded bolts. They were extensively hand filed to mimic the shape of a human arm, sanded, finished, and adorned with little bronze buttons. A full range of finishing techniques were used throughout the piece. I got lost in the process: musing about shapes to make, fussing over the tiniest of details with my magno-spectacles, and ooh-ing and ah-ing over cool looking stray file marks. I felt like some kind of eccentric cavalier watchmaker gone mad, toiling for hours on this magic little thing. [caption id="attachment_11772" align="alignnone" width="1585"] Opal's birthday. If you could zoom in enough you would find tears of joy in my reflection in her shiny metal knees.[/caption] After many hours of working and re-working all the little parts and pieces to be just so, and connecting all the perfect little pieces together to also be just so, Opal had her first sit-down as a complete piece on the edge of my weld bench. As tradition dictates, I rang the big bell above my work bench, and then took a break for a few minutes. These few minutes help me 'reset' my mind so I can try to experience my work with a fresh 'first impression'. This can allow space for a near-end critique of the piece. When I did this 'reset' with Opal, I had moment of absolute head-buzzing joy. To me, Opal is nothing short of the culmination of a lifetime pursuit of pushing art through craft to create something meaningful from the mundane - even if it is only to remind people to smile and be happy. She is iconic in my pursuit to elevate my art as well as my craft, and I will always hold this one very dear to my heart. 1 lb, 3.6 oz. 7.5 x 3 x 3.5"]]> Kai i339 https://skunkadelia.com/works/kai/ Mon, 05 Mar 2018 19:11:39 +0000 https://skunkadelia.com/?post_type=product&p=5395
My fellow SCUL pilot and friend Couscous had the notion of having a Skunkadelic figurehead for his ship NSC Glittergasm, and he had a very clear idea of what he wanted:
I like the accent of color in Mo, but also the variety of colors in Shelley. I'd love to work with you to pick out parts and figure out how to mount this on Glittergasm if possible - I have a few ideas - while also having it be able to stand on it's own so it can live in my space station during the off season. As for a pose, I like the idea of an arm outstretched forwards because I think that works well for a figurehead. Perhaps the other arm held closer to the body as if holding something? It would also be neat if the hands could have a small hole through them such that I could later create small items for the bot to hold such as a wand or a book. Depending on what part(s) we choose for the eyes, i may also be interested in an insertion point from the back of the eyes such that I could wire in some small lights while the bot was acting as a figurehead.
We got together at my studio space and picked out the parts together. Since Couscous was handy with tools we both got to do some minor alterations of metal before welding. The thick copper body we chose turned out to be much more of a heat sink than expected - and would glow for a good while after welding. This does not typically happen with TIG welds, at least with steel. TIG brazing with silicon bronze to weld copper to steel is tricky, particularly in this small scale. We worked together on ways that this Astrobot could grip an object. Couscous' ship blows bubbles - so I was excited to show him the  metal bubble-wand I had been saving - we needed to chop the middle out so it was proportionate to the robot. I also had a beautiful, small hook clamp which would work nicely to grip the wand. All the pieces came together, so to speak. At the time of this posting, Kai has successfully been mounted on Glittergasm and has fully functional glowing blue optical units already installed.
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Blue i332 https://skunkadelia.com/works/blue/ Wed, 10 Jan 2018 22:58:33 +0000 https://skunkadelia.com/?post_type=product&p=5337 Shae i331 https://skunkadelia.com/works/shae/ Wed, 10 Jan 2018 22:54:24 +0000 https://skunkadelia.com/?post_type=product&p=5336 Liz m338 https://skunkadelia.com/works/liz/ Mon, 04 Dec 2017 20:38:19 +0000 https://skunkadelia.com/?post_type=product&p=5280 The Girl With the Purple Cane'.
While I normally don't do portraits, I was excited to give it a try with after watching Liz speak: she has a strong personality and I was excited to see what pieces of metal I could find that would fit together to give the impression and spirit of her. Finding the blue bicycle fork blades that became her jeans was a rare stroke of luck​ - I felt that was a great sign. The bracelet was inspired by her sweatband, and I smiled pretty hard when I welded the head at the right tilt - that's when I think she really came to life. Spare Parts Liz was also the first Astrobot to have glasses, and it took some iterations and even some bench grinding before I felt they were right. Probably the most challenging part was the hand holding the purple cane: to get metal to act as if it's holding a handle, resting some weight. I'm very happy how she seems to be slightly leaning on the cane, but not too heavily. It was also very gratifying to use a small sledgehammer to get her rivet-fingers to curl around.
I learned a lot from listening to the Girl with the Purple cane and it was an honor to make Spare Parts Liz.
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Judy c315 https://skunkadelia.com/works/judy/ Sat, 08 Jul 2017 18:34:16 +0000 https://skunkadelia.com/?post_type=product&p=5073 Bobo a250 https://skunkadelia.com/works/bobo/ Thu, 12 Feb 2015 04:32:56 +0000 http://skunkadelia.com/?post_type=product&p=3412 Cortney Leigh Cox. weight: 4oz. Height: 7.5"]]> Jay a249 https://skunkadelia.com/works/jay/ Thu, 12 Feb 2015 04:17:12 +0000 http://skunkadelia.com/?post_type=product&p=3402 Sohil m168 https://skunkadelia.com/works/sohil/ Sun, 17 Jan 2010 17:34:50 +0000 https://skunkadelia.com/?post_type=product&p=4943