articulated neck – Skunkadelia https://skunkadelia.com Steel Sculptures of Friendly Robots Tue, 03 Sep 2024 15:42:37 +0000 en-US hourly 1 https://wordpress.org/?v=6.6.2 https://skunkadelia.com/wp-content/uploads/2020/09/cropped-skunkadelia-favicon-1-32x32.gif articulated neck – Skunkadelia https://skunkadelia.com 32 32 James x428 https://skunkadelia.com/works/james/ Sat, 25 Nov 2023 23:44:57 +0000 https://skunkadelia.com/?post_type=product&p=11732 Experimenting with simple joints James was originally going to be an improved version of the Dionysian line, with loose, ragdoll style joints. The process began with a washer and bolt-style rotating joint, but after some playful experimentation, I realized I could do a lot by welding parts to a nut and a machine screw to make a nice shoulder joint. Adding a split washer allows for some optional friction - by spinning the arms around once, they can go from loose to pose-able. For the elbow joints, there needs to be a hard stop when the arm is fully extended. For the first elbow I made - the right one - I added some tiny blobs of metal to the joint with the TIG torch. For the left elbow I used the shape of the split washers to act as the hard stop. Both techniques seem to work well, and I'm excited for James to have a few subtle differences for people to discover on their own. This new joint style is compact, and can be scaled to any size needed for any sized robot. This comes at a cost of not being as serviceable as the joints on Proteus Class robots. While they are strong, moving parts can be overstressed under extreme circumstances. I like making robots to last the ages, so I like to think way ahead. If a shoulder joint or an arm joint becomes locked or loose, perhaps it will add to the charm of the robot. James has very strong joints for his size so I'm guessing it shouldn't be an issue for a few hundred years. I considered the possibilities of the James' articulation for the lower half of his body, opting for a simple and reliable choice: fixed knees and ankles, with hinge joint hips. Starting with a square nut and a hex machine screw, I reshaped the joints by rounding off two points of the nut and hacksawing a fake screwdriver slot to the bolt to add some detail. I welded the legs onto James in such a way that he can't bend his legs backwards very far because the leg nut socks down onto the hip screw at just the right spot for the left leg. This same technique doesn't work with the right leg - unless you have left handed threads. I opted to have the shape of the square nut act as a stop against the torso. James has quite a few subtly asymmetric joint designs! I did my best to make the knee and ankle joints look like they could bend. In fact I have fooled myself many times on photo sessions with James, absentmindedly trying to pose him in ways he won't pose. Should I feel proud for fooling my myself? The thought makes my chuckle. James' shoes are made from leftover coped ends of some 4130 tubing ends from a summer project of mine. One shoe was made with a hole saw, the other was made with a hacksaw and file to try and mimic the first one. The steel got hard to hold in the vise after as it took it's irregular shape, so the shoes aren't absolutely identical. One of the pieces of steel had a little chunk of it missing, which I thought I could easily remedy by welding on another piece. That part of the plan went poorly, so I needed to turn the situation around, and into what artist's call 'a happy accident'. In this particular case, I chose copper clad toes to add some fun metal accents to the piece. [caption id="attachment_11782" align="alignnone" width="1900"] James' has got some workin' hands.[/caption]

James' 'Workin' Hands

James' older sister Opal, my previous work, has amazing hands made from discarded square punch blanks, and little snipped pieces of stainless steel bicycle spokes. Working steel that hard on metal that small was a big challenge, but the effort was well worth it. For this piece I needed to scale things up slightly, which is easy to do with a 3d print, but not so much when pallete is comprised entirely of specifically-sized and specifically-shaped pieces of old machine parts. Suddenly, after years of dormancy, the box full of various old square nuts in assorted sizes I've been squirreling away had found their true calling! This is a significant breakthrough. In order to make the nut into the palm of a robot's hand, I needed to to plug the holes in the square nut. I fuse-welded a hacked-down piece of machine screw. I then carefully welded the bronze fingers and thumbs on one at a time, learning a little more each time. Hands have the potential to say so much, I savored this part of the process. Once everything was properly connected, I peered deeply at them using a dorky head-mounted magnifier and heavy scrutiny - reshaping the fingers with tiny files and sandpaper. I also had the perfect excuse to try out the lead hammer for moving the metal while not leaving a dent. It worked, too! The whole time I was working them, I was thinking of how a sculptor's file strokes can be a lot like a painter's brush strokes.

Get up on your feet James!

After weeks of scheming, sculpting, welding, and finishing, James had it all-together. It's a very exciting moment when a new piece stands before me for the first time, staring at it's creator. I like to give my robots an expression of wonder, and that wondrous look can feel profound at this first moment of scrap metal synergy. A collection of leftover machine parts and scrap metal stares back at you. From almost nothing, something meaningful. After allowing this moment its space, I remembered that James can get down as well as get up. I grabbed the hot metal with my weld gloves on and sat him down - then realized my work was not yet done. His feet had no bottom. In short, James had no soles! Say what?! There was a part of me, left over from the old ways I thought about process, that was frustrated to be robbed of the endorphins associated with the 'done' part of a job well done. But as I get older and wiser, I realized that this was just another opportunity to have some more fun with the piece. Instead of rushing out a good-enough solution for something as mundane as the bottoms of feet, I thought of it as another opportunity to experiment. James' birthday will have to wait for the cobbler to come up with something. I chose copper plate to match the shoe tips: scribed to match the feet and cut with a hacksaw, Tread was carefully grooved by hand with a hacksaw. The blade slipped on the slick copper a couple of times, which I'm okay with since his boots should be scuffed from use anyway. After welding the plates onto James feet, I was sure to leave the bottoms of the shoes dark and scuffed. Copper tends to turn all kinds of amazing colors when heated up; and while they are beautiful, they can be difficult to create purposely with a TIG torch and even more difficult to keep once they appear. Copper loves to oxidize as most readers are aware. Clear coating puts a barrier between the metal and the atmosphere. However even after that barrier has been added, there's still some oxygen present so the oxidation continues for a short time afterwards. James' toes had two very different colors before clear coat - I was excited to see if I could lock the colors down so as soon as it was cool enough, I applied a coat of polyurethane to just his feet. While the contrast has faded as expected, a distinct difference in color is still present. I was able to lock down some very nice colors on James' back boilerplate. I was also able to lock in some nice blues and golds in the threaded bolts used for his arms and legs. James had many rounds of finish work throughout the process, and the reward was to have full spectrum of surface finishes and metal colors.

Why James?

This experimental robot didn't have a name picked until his birthday. My first impression of him as a whole was a quiet, reserved sort of fellow. Funny thing is, when I stood him up on his feet for the first time, I realized he could stand on a heel and a toe - making him look like he can dance! The name James seems to have a duality to me - he could be a reserved chaufer, or a tiny robot version of the Godfather of Soul himself.

A New Class of Astrobot

James was an absolute pleasure to make - I have given him my everything for him be the best little robot he can. I plan on making more X-class experimental robots, but James is the first official one. I've had a few commissions in the past that I would reclassify in retrospect, but James will always be the one to make it official. 9.5 x 3.25 x 2" 2 lb, 0.7 oz.]]>
Opal i247 https://skunkadelia.com/works/opal/ Sat, 25 Nov 2023 22:39:35 +0000 https://skunkadelia.com/?post_type=product&p=11728 Opal's hands took a whole day to create - it was a day of great joy. Note the slightly bent up pinky and ring finger of her right hand, shaped to contour the leg it's to rest upon.[/caption] The hand's that were made for opal may be the most expressive part of the sculpture; carefully created from square punch blanks from an ironworker, mated with ten small bits of a stainless steel bicycle spoke. Stainless is even tougher to bend and form just right than mild steel, and great care with the TIG torch was used to weld them on just so, without melting other fingers off in the intense heat affected zone. Needless to say I did not successfully perform the procedure ten times in a row, but perseverance and learning from setbacks helped to pave the way to eventual success. Opal's torso is a copper plumbing flange which sat waiting for decades in a metal box amongst other precious 'maybe someday' parts that are beloved and are reserved for just the right occasion. The whisky-brown tint was an unexpected result of the polyurethane coating discoloring from the heat - which came from a post-birthday touch-up weld, which the copper absorbed like only copper can. The colors looked so rich that I opted to add an additional coat of polyurethane layer rather than clearing it off with acetone. [caption id="attachment_11770" align="alignnone" width="1900"] Opal's arms were made with some bolts, a hacksaw, some files, a sturdy vise, and great deal of moxie.[/caption] Opal's arms started out as average threaded bolts. They were extensively hand filed to mimic the shape of a human arm, sanded, finished, and adorned with little bronze buttons. A full range of finishing techniques were used throughout the piece. I got lost in the process: musing about shapes to make, fussing over the tiniest of details with my magno-spectacles, and ooh-ing and ah-ing over cool looking stray file marks. I felt like some kind of eccentric cavalier watchmaker gone mad, toiling for hours on this magic little thing. [caption id="attachment_11772" align="alignnone" width="1585"] Opal's birthday. If you could zoom in enough you would find tears of joy in my reflection in her shiny metal knees.[/caption] After many hours of working and re-working all the little parts and pieces to be just so, and connecting all the perfect little pieces together to also be just so, Opal had her first sit-down as a complete piece on the edge of my weld bench. As tradition dictates, I rang the big bell above my work bench, and then took a break for a few minutes. These few minutes help me 'reset' my mind so I can try to experience my work with a fresh 'first impression'. This can allow space for a near-end critique of the piece. When I did this 'reset' with Opal, I had moment of absolute head-buzzing joy. To me, Opal is nothing short of the culmination of a lifetime pursuit of pushing art through craft to create something meaningful from the mundane - even if it is only to remind people to smile and be happy. She is iconic in my pursuit to elevate my art as well as my craft, and I will always hold this one very dear to my heart. 1 lb, 3.6 oz. 7.5 x 3 x 3.5"]]> Ozz n426 https://skunkadelia.com/works/ozz/ Sat, 25 Nov 2023 22:04:49 +0000 https://skunkadelia.com/?post_type=product&p=11726 wheeled robots can roll. His dome head had been masquerading as a stainless measuring spoon before reaching its final form - the 'nose' of Ozz is all that's left of the handle. I connected this spoon-head to the 'spinal' bolt by drilling a hole on the top of the dome, plug-welding it to the bolt, then filing and finishing out the top so to be smooth again. Machinists may relate to the folly that ensued when trying to coax a starter drill-bit to keep from spiraling off the top of the dome with nothing but a laser-guided bench-top drill press, a Starrett starter punch, some EZ tap, and a lot of please please please. But the deed is done and victory feels good. Ozz is particularly proud of the smart little bronze buttons on his chest - you'll have to use your imagination as to what function they may perform at any given moment. He also has a little 'duck tail' handle on the back of his head that can be used to animate his head, which rotates left to right, but not all the way around. The lower part of the handle serves as a stop for the head rotation - which means he can't see behind himself very well, but he's got great hearing and can turn around quickly. The neck joint is fairly loose so his head can bob around a bit, which gives him some playful character animation possibilities. I like to think of Neutrino class robots to be the robot companions for the rest of my robots. Ozz is quite capable in that role, but can also take on solo missions with grace and determination. 1 lb, 14.5 oz. 3 x 2.5 x 2.25"]]> Nina I425 https://skunkadelia.com/works/nina/ Fri, 17 Nov 2023 01:01:20 +0000 https://skunkadelia.com/?post_type=product&p=11673 anything short of my best work is a waste of that time! Making hundreds of robots can get your mindset locked into a rhythm, following well-honed procedures. My old mantra was to pick the parts, lay them out on a table until I felt I had something to work with, then weld all the pieces together, determining the final pose as I proceeded. After that was naming the robot, stamping out and attaching the boilerplate, Then it was cleaning and polishing, then finally applying the clear coat to 'seal the deal'. While having a routine is great for honing your craft, it wasn't allowing me to be flexible when trying to create something unique in each piece. For art to succeed it has to break free of the routine - even if that routine has worked effectively in the past. I approached Nina with an entirely new plan: which was almost no plan at all! I gave this 'comeback piece' with new constraints:

Do whatever work you feel like doing on the piece at any given time

For Nina, if I wanted to make a hand, I would make a hand. If I wanted to make a face, I would do that. I'd have arms and a torso cut, filed, and polished without legs even picked out. This allowed for a great deal of flexibility in design choices and I was able to let the piece evolve more slowly. It also allowed me to savor making each part just right. Instead of picking out a couple of arms and sticking them onto the torso, I would think about making the best arm for this piece, and to enjoy making the arm just so - hacksawing facets, filing rounded parts, working the part to get beautiful polished and satin brushed finishes; and not stopping until that arm was the absolute best arm for the piece before moving onto some other part. Spending an hour on an arm led me to another amazingly large eureka moment: the notion that I could reshape each individual part with hand tools, like a stone sculptor removes stone to reveal the art. I began filing down parts of axles to shape them more like a human's leg or arm. While this technique seems so obvious in hindsight, I never explored it until Nina, and I haven't seen it before from other artists who work with re-purposed steel. This revelation of 'less-is-more' led me to filing the brass 'charm-rivets' I've been using for over a decade, giving them an improved form as wells as a brighter finish. While all of these innovative techniques lead to some synergistic results, the time it took to make Nina was quadruple that of Ion Class Astrobot construction times of the past. This completely broke my tried-and-true pricing tier - Nina's a small robot with tons of craft time and innovation. And with no way to classify the robots in any kind of pricing structure, my made-to-order astrobot program was no longer a reliable way to price custom work. Nina broke my website! Nina is easy to photograph, because she's got a realism to her pose and her proportions. Through the lens she looks like she's in a movie, able to express complex emotions through body language. She's got real weight on her feet as a human would carry their weight - and a spark of life about her. 1 lb, 14.7 oz. 9.5 x 3.75 x 2.5"]]>
Houston M424 https://skunkadelia.com/works/houston/ Wed, 13 Sep 2023 21:28:40 +0000 https://skunkadelia.com/?post_type=product&p=11604 What Makes an Astrobot an Astronaut? While I've never thought of my robots as 'not having clothes', I didn't think of them having clothes either. The idea of adding an additional layer without having the robot appear bulkier turned out to be one of those simple solutions to a problem that requires a greater share of soul searching - as well as steel parts searching - than even the most experienced and nuanced mind of a master junk metal sculptor could have anticipated. I found the answer in one of my metal ammo cans: [caption id="attachment_11664" align="alignnone" width="1900"]a collection of neatly arranged metal boxes, one of which is labelled 'spring' A noble use for surplus military ammo cans - metal boxes for metal parts.[/caption] I tend not to use springs in my work - not because they aren't a good aesthetic component to use, but because spring steel loses a good deal of it's strength when heated with a welding torch. My solution to this was to rely on the rods placed inside the springs for the strength needed to hold this heavy bot together. This worked out well since I was looking to have the spring be the outer protective layer to the arms and legs underneath.

Rethinking the robot joints for space travel

When crafting a robot from a limited collection of steel bits and bobs, limited choices can lead to a more impressionistic approach for the interfaces of critical joints such as hips and shoulders. A robot can have more loosely defined gaps, which give them their playful robotic feel. This tried-and-true technique wasn't holding up with this piece: A spacesuit is vacuum tight - which lead me to reimagining new ways to connect arms and legs to the torso. I needed to rethink my methods and push towards a more seamless interface between all parts so the suit looked space-worthy. Fortunately for me, a long-distance fan from St. Cloud, Minnesota has been sending me heavy packages filled with lots of amazing steel pieces: amongst the parts were a set of baoding balls - which happened to fit perfectly into the opening of the vintage bicycle hub used for the torso. As an added bonus, this means that when you shake the robot it chimes.

The robot torso

I used a very special bike hub for the torso: a Sears three-speed bicycle hub made in Austria in 1964 - complete with a port once used to for internal gear lubrication - something to add to the spacesuit vibe. It was the only 'torso' in my collection that looked right. It polished up very nicely except where the chrome has flaked off. These imperfections are what I love about old steel parts - they give the spaceman some 'mileage' - looks like he's had many adventures already!

Dropping the Shield and Striking the Arc

It was fun having lots of a-ha moments to formulate an overall plan, but after a while I needed to strike that welding arc and go from the planning stage and into the preparing stage, to the actual making part. The transition was not as cut and dry: I was constantly rethinking solutions to problems that I didn't feel were resolved, swapping some parts for others, and sometimes omitting things I once thought important to the piece. It was slow going, but good things take time and careful consideration, along with a fair share of refinement and rework now and then.

The Space Helmet

The helmet took some time and patience. Getting the robot's eyes as close to the head was very important in order the stainless tubing scrap end to fit on his head. This is the second piece of mine to have reimagined smaller eyes, which gives my newest robots a more human look. This makes it possible for me to be able to sleeve the stainless tube over the head after a bit of grinding the nut to become the cranium. I designed and built the helmet to use a disc shaped rare-earth magnet so it can firmly connect with the astronaut's head, firmly enough so that if you twist the helmet, the head twists with it. Having a magnet on the inside of the helmet also means the astronaut can hold it in either hand. While I'm reluctant to have my art be able to separate into pieces, I felt this one needed to be one of those rare exceptions. I carefully cut the visor hole using a drill press, hacksaw, and dremel tool, then cleaned the edges with a file and sandpaper. Welding the helmet pieces together gave the helmet a nice bit of color in the heat-affected zone - I used the same torch technique to soften the visor edge. I realized when the piece was completed that the helmet could be worn backwards to make the astronaut look like an alien.

The Space Pack

The backpack consists of three very solid blocks of tool steel of enough mass to have a significant shift in the center of gravity - so the Astronaut must lean forward to compensate. I calibrate my welding bench each time a make a robot, so all my pieces start of on level ground, and therefore are as stable as can be. All major parts must be connected before the balancing act takes place, and a solid steel pack causes a significant shift in center mass. I usually the feet get connected near the end of the construction process regardless, but I was concerned this astronaut would lose it's impression of near-weightlessness.

A heavy robot that's light on it's (low gravity) feet

Sculptures made from solid steel tend to be very heavy - an aspect that works well to give the figure a sense of real weight. Normally this works in my favor, but I wanted this piece to seem almost ready to float. I welded hidden 'heels' in the centers of his feet at a severe angle, then cut pieces of scrap 4130 tubing I had laying around from my latest bicycle tallbike project to cover the feet. I was very pleased with how the toe boxes covered gaps and gave a seamless look. I decided to continue the motif to fill in the small gaps between the springs used for the arms and legs. This method of cutting specific fill shapes out of tubing is a evolutionary breakthrough and will most likely be used in some future pieces.

The final touches - finihshing

I've been finishing metal since the year 1998. This astronaut was finished with multiple techniques using a polishing wheel, abrasive pads, emery, and even some semi-purposeful blemishing during construction to help add to the backstory, such as the dent on the top of the helmet made by my beloved antique vise.

Apollo, we have a problem…

As the piece slowly progressed towards completion a couple of names came to mind, but the one that felt right was Apollo - certainly a fitting name for an Astrobot astronaut. I stamped the boilerplate and delicately welded the thin-gauge copper sheet to the solid block of tool steel - not an easy feat for even the most experienced TIG welder. This trick acts a bit like my signature, but it doesn't always go smoothly as the copper absorbs heat quickly and can blow a hole very easily. The three copper boilerplates for this piece affixed without incident - however, when I opened my baby name book to log the serial number, I discovered that I haven't completely memorized all four-hundred plus names I've chosen. Apollo M323 was made back in 2017 - almost exactly 100 Skunkadelic robots ago, almost exactly six years apart from this new piece. A neat coincidence, but I felt this new one needs his own name. I knocked off the old boilerplate with a hammer and steel punch, and renamed the boy Houston. [caption id="attachment_11663" align="alignnone" width="1900"]A piece of copper labelled 'Apollo', bent and discolored The original name tag of Astrobot M424 after being knocked off the pack with a chisel and metalworking hammer[/caption] In the bicycle chopper gang I founded back in 1996, I chose the name Skunk, but I came very close to choosing the name 'Houston' for myself, as we're sci-fi themed and I thought it would be a fitting name for the founder and leader. In retrospect, that name may have been a wiser choice than 'Skunk'. This piece is very personal for me - as one who spends a great deal of time pretending I'm having space adventures with my friends. I find the connection poetic. My mantra for this piece was "If it's not perfect, it's not good enough". This makes for great art, and for some euphoric times, but also requires a lot of rethinking, a lot of time, and sometimes rework. In the end, I hope to have 'gone where no one has gone before', by making something unique in the universe.]]>
Geoff c422 https://skunkadelia.com/works/geoff-c422/ Thu, 28 Apr 2022 22:57:44 +0000 https://skunkadelia.com/?post_type=product&p=11420 Java c420 https://skunkadelia.com/works/java/ Tue, 22 Mar 2022 22:07:22 +0000 https://skunkadelia.com/?post_type=product&p=11406 Cee c419 https://skunkadelia.com/works/cee/ Tue, 22 Mar 2022 21:50:28 +0000 https://skunkadelia.com/?post_type=product&p=11395 Veebee c418 https://skunkadelia.com/works/veebee/ Tue, 22 Mar 2022 21:05:16 +0000 https://skunkadelia.com/?post_type=product&p=11385 Python c417 https://skunkadelia.com/works/python/ Tue, 08 Mar 2022 23:50:44 +0000 https://skunkadelia.com/?post_type=product&p=11366 Pascal c416 https://skunkadelia.com/works/pascal/ Tue, 08 Mar 2022 23:00:15 +0000 https://skunkadelia.com/?post_type=product&p=11355 Moon a421 https://skunkadelia.com/works/moon/ Thu, 10 Feb 2022 23:08:27 +0000 https://skunkadelia.com/?post_type=product&p=11341 Pinto i415 https://skunkadelia.com/works/pinto/ Thu, 10 Feb 2022 21:59:39 +0000 https://skunkadelia.com/?post_type=product&p=11331 Lila d413 https://skunkadelia.com/works/lila/ Sat, 05 Feb 2022 22:46:45 +0000 https://skunkadelia.com/?post_type=product&p=11320 Bo n414 https://skunkadelia.com/works/bo/ Sat, 05 Feb 2022 21:55:35 +0000 https://skunkadelia.com/?post_type=product&p=11312 Button n412 https://skunkadelia.com/works/button/ Thu, 13 Jan 2022 17:49:48 +0000 https://skunkadelia.com/?post_type=product&p=11293 seventeen ball bearings inside Button's head seventeen ball bearings inside Button's head[/caption] Button has seventeen loose ball bearings in his head cavity, so if you shake him he makes a rattling sound. [video width="1920" height="1080" mp4="https://skunkadelia.com/wp-content/uploads/2022/01/button-shake.mp4"][/video]]]> Haskell c411 https://skunkadelia.com/works/haskell/ Mon, 10 Jan 2022 16:51:02 +0000 https://skunkadelia.com/?post_type=product&p=11276 Rebop m409 https://skunkadelia.com/works/rebop/ Tue, 04 Jan 2022 23:52:29 +0000 https://skunkadelia.com/?post_type=product&p=11263 Hollis m408 https://skunkadelia.com/works/hollis/ Sun, 14 Nov 2021 17:34:38 +0000 https://skunkadelia.com/?post_type=product&p=11129 Augusta m407 https://skunkadelia.com/works/augusta/ Tue, 02 Nov 2021 20:06:42 +0000 https://skunkadelia.com/?post_type=product&p=11113 Boyd c406 https://skunkadelia.com/works/boyd/ Thu, 07 Oct 2021 17:51:48 +0000 https://skunkadelia.com/?post_type=product&p=11092 Mima i403 https://skunkadelia.com/works/mima-i403/ Thu, 06 May 2021 21:10:08 +0000 https://skunkadelia.com/?post_type=product&p=7935   Mima has a waist that spins counter-clockwise from above, but not the other way around. This, along with her neck, allows for her to dance and pose in interesting ways.]]> Jax n404 https://skunkadelia.com/works/jax-n404/ Thu, 06 May 2021 19:33:48 +0000 https://skunkadelia.com/?post_type=product&p=7927 Ken n402 https://skunkadelia.com/works/ken/ Wed, 24 Mar 2021 16:38:46 +0000 https://skunkadelia.com/?post_type=product&p=7902 Billie c401 https://skunkadelia.com/works/billie/ Fri, 12 Mar 2021 02:33:33 +0000 https://skunkadelia.com/?post_type=product&p=7903 Colby c400 https://skunkadelia.com/works/colby/ Wed, 10 Mar 2021 16:58:49 +0000 https://skunkadelia.com/?post_type=product&p=7892 Janis m399 https://skunkadelia.com/works/janis/ Wed, 24 Feb 2021 17:54:21 +0000 https://skunkadelia.com/?post_type=product&p=7871 Silver i398 https://skunkadelia.com/works/silver/ Thu, 04 Feb 2021 15:56:13 +0000 https://skunkadelia.com/?post_type=product&p=7733 Pal n397 https://skunkadelia.com/works/pal/ Wed, 06 Jan 2021 16:58:28 +0000 https://skunkadelia.com/?post_type=product&p=7617 Kate i396 https://skunkadelia.com/works/kate-i396/ Wed, 30 Dec 2020 16:51:20 +0000 https://skunkadelia.com/?post_type=product&p=7584 Bee n395 https://skunkadelia.com/works/bee/ Tue, 29 Dec 2020 16:57:45 +0000 https://skunkadelia.com/?post_type=product&p=7303 Abbot J m394 https://skunkadelia.com/works/abbot-j/ Wed, 16 Dec 2020 16:37:05 +0000 https://skunkadelia.com/?post_type=product&p=7307 The Story of Abbot J Read about the genesis of Abbot J in this post entitled The Golden Epaulets of Abbot J.]]> Ka1 i393 https://skunkadelia.com/works/ka1/ Fri, 11 Dec 2020 18:24:45 +0000 https://skunkadelia.com/?post_type=product&p=7304 Storey i392 https://skunkadelia.com/works/storey/ Fri, 04 Dec 2020 03:26:00 +0000 https://skunkadelia.com/?post_type=product&p=7316 Devo c391 https://skunkadelia.com/works/devo/ Tue, 17 Nov 2020 22:50:07 +0000 https://skunkadelia.com/?post_type=product&p=7257 Devo-inspired art Devo-inspired art by @annetsirk[/caption]]]> Allen m388 https://skunkadelia.com/works/allen/ Thu, 16 Jul 2020 20:21:22 +0000 https://skunkadelia.com/?post_type=product&p=6676 Sassy c389 https://skunkadelia.com/works/sassy/ Wed, 15 Jul 2020 15:39:49 +0000 https://skunkadelia.com/?post_type=product&p=6674 Nile m387 https://skunkadelia.com/works/nile/ Sat, 27 Jun 2020 01:17:09 +0000 https://skunkadelia.com/?post_type=product&p=6636 Beamer a386 https://skunkadelia.com/works/beamer/ Thu, 23 Apr 2020 21:57:56 +0000 https://skunkadelia.com/?post_type=product&p=6480 Axel n383 https://skunkadelia.com/works/axel/ Thu, 16 Apr 2020 22:00:20 +0000 https://skunkadelia.com/?post_type=product&p=6434 ]]> Calder d377 https://skunkadelia.com/works/calder/ Tue, 14 Apr 2020 19:13:51 +0000 https://skunkadelia.com/?post_type=product&p=6401 Bicycle coaster brake hub, two bicycle axles, threaded rod, two bicycle stem wedge nuts, bicycle coaster brake washer, two bicycle coaster brake parts, two three-speed bicycle hub gears, two ball bearings, bicycle spokes, bolt, nut, machine screw, copper, bronze
Serial number 191220D377
10.5 x 3 x 1.75
1 lb., 7 oz
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Star i381 https://skunkadelia.com/works/star/ Sat, 04 Apr 2020 21:13:30 +0000 https://skunkadelia.com/?post_type=product&p=6386 Joy c380 https://skunkadelia.com/works/joy/ Tue, 31 Mar 2020 17:27:09 +0000 https://skunkadelia.com/?post_type=product&p=6364 Ivo a379 https://skunkadelia.com/works/ivo/ Sun, 16 Feb 2020 20:26:24 +0000 https://skunkadelia.com/?post_type=product&p=6341 Nash c378 https://skunkadelia.com/works/nash/ Sun, 15 Dec 2019 01:12:27 +0000 https://skunkadelia.com/?post_type=product&p=6298 Zilpha m382 https://skunkadelia.com/works/zilpha/ Sun, 15 Dec 2019 01:12:02 +0000 https://skunkadelia.com/?post_type=product&p=6297 Isabella m376 https://skunkadelia.com/works/isabella/ Fri, 06 Dec 2019 04:05:07 +0000 https://skunkadelia.com/?post_type=product&p=6225 Cricket c375 https://skunkadelia.com/works/cricket/ Wed, 04 Dec 2019 18:27:46 +0000 https://skunkadelia.com/?post_type=product&p=6206 Johnny ∞ m367 https://skunkadelia.com/works/johnny-infinity/ Tue, 03 Dec 2019 06:41:28 +0000 https://skunkadelia.com/?post_type=product&p=6199 Oberon i373 https://skunkadelia.com/works/oberon/ Wed, 27 Nov 2019 05:57:05 +0000 https://skunkadelia.com/?post_type=product&p=6181 Xavia i372 https://skunkadelia.com/works/xavia/ Fri, 15 Nov 2019 04:11:57 +0000 https://skunkadelia.com/?post_type=product&p=6144 Oro n371 https://skunkadelia.com/works/oro/ Tue, 12 Nov 2019 04:31:50 +0000 https://skunkadelia.com/?post_type=product&p=6114 Henry m370 https://skunkadelia.com/works/henry/ Tue, 29 Oct 2019 16:17:21 +0000 https://skunkadelia.com/?post_type=product&p=6095 Yonder i364 https://skunkadelia.com/works/yonder/ Mon, 10 Dec 2018 17:35:29 +0000 https://skunkadelia.com/?post_type=product&p=5713 Maureen m363 https://skunkadelia.com/works/maureen/ Mon, 10 Dec 2018 17:26:34 +0000 https://skunkadelia.com/?post_type=product&p=5711 Faust i362 https://skunkadelia.com/works/faust/ Mon, 10 Dec 2018 17:11:13 +0000 https://skunkadelia.com/?post_type=product&p=5701 Merry c361 https://skunkadelia.com/works/merry/ Thu, 15 Nov 2018 06:32:08 +0000 https://skunkadelia.com/?post_type=product&p=5668 Park c360 https://skunkadelia.com/works/park/ Thu, 15 Nov 2018 06:21:35 +0000 https://skunkadelia.com/?post_type=product&p=5662 ]]> Lyra m357 https://skunkadelia.com/works/lyra/ Wed, 17 Oct 2018 00:14:11 +0000 https://skunkadelia.com/?post_type=product&p=5599 Pearl i355 https://skunkadelia.com/works/pearl-i355/ Wed, 22 Aug 2018 17:47:40 +0000 https://skunkadelia.com/?post_type=product&p=5555 Scout m356 https://skunkadelia.com/works/scout/ Mon, 30 Jul 2018 20:52:53 +0000 https://skunkadelia.com/?post_type=product&p=5573 Ojo n353 https://skunkadelia.com/works/ojo/ Thu, 26 Jul 2018 16:34:24 +0000 https://skunkadelia.com/?post_type=product&p=5567 Wilson m351 https://skunkadelia.com/works/wilson/ Wed, 25 Jul 2018 14:31:18 +0000 https://skunkadelia.com/?post_type=product&p=5551 Matt c354 https://skunkadelia.com/works/matt/ Thu, 19 Jul 2018 16:35:40 +0000 https://skunkadelia.com/?post_type=product&p=5541 Valerie m350 https://skunkadelia.com/works/valerie/ Mon, 16 Jul 2018 16:05:24 +0000 https://skunkadelia.com/?post_type=product&p=5533 Deedee i349 https://skunkadelia.com/works/deedee/ Tue, 03 Jul 2018 14:34:55 +0000 https://skunkadelia.com/?post_type=product&p=5517 Kip n344 https://skunkadelia.com/works/kip/ Thu, 17 May 2018 16:37:58 +0000 https://skunkadelia.com/?post_type=product&p=5506 Helen m346 https://skunkadelia.com/works/helen/ Wed, 16 May 2018 17:32:35 +0000 https://skunkadelia.com/?post_type=product&p=5467 Lewis i343 https://skunkadelia.com/works/lewis-i343/ Mon, 09 Apr 2018 16:49:37 +0000 https://skunkadelia.com/?post_type=product&p=5443 Jett c352 https://skunkadelia.com/works/jett/ Fri, 06 Apr 2018 21:00:23 +0000 https://skunkadelia.com/?post_type=product&p=5441 Ernest c340 https://skunkadelia.com/works/ernest/ Thu, 22 Mar 2018 15:33:24 +0000 https://skunkadelia.com/?post_type=product&p=5430 Roly n341.]]> Roly n341 https://skunkadelia.com/works/roly/ Wed, 14 Mar 2018 18:51:13 +0000 https://skunkadelia.com/?post_type=product&p=5397 Ernest c340. 8 oz. 4 1/2 x 2 7/8 x 2 1/2” Last known whereabouts: Huntington Avenue, Boston Massachusetts.]]> Alejandro c345 https://skunkadelia.com/works/alejandro/ Tue, 20 Feb 2018 20:39:34 +0000 https://skunkadelia.com/?post_type=product&p=5367 Soliel m336 https://skunkadelia.com/works/soliel/ Fri, 26 Jan 2018 18:40:09 +0000 https://skunkadelia.com/?post_type=product&p=5353 Elmo n335 https://skunkadelia.com/works/elmo/ Wed, 10 Jan 2018 23:26:52 +0000 https://skunkadelia.com/?post_type=product&p=5341 Mona m334]]> Mona m334 https://skunkadelia.com/works/mona-m334/ Wed, 10 Jan 2018 23:19:37 +0000 https://skunkadelia.com/?post_type=product&p=5339 Dillon c333 https://skunkadelia.com/works/dillon/ Wed, 10 Jan 2018 23:06:58 +0000 https://skunkadelia.com/?post_type=product&p=5338 Blue i332 https://skunkadelia.com/works/blue/ Wed, 10 Jan 2018 22:58:33 +0000 https://skunkadelia.com/?post_type=product&p=5337 Shae i331 https://skunkadelia.com/works/shae/ Wed, 10 Jan 2018 22:54:24 +0000 https://skunkadelia.com/?post_type=product&p=5336 Dominic m330 https://skunkadelia.com/works/dominic/ Wed, 10 Jan 2018 22:46:05 +0000 https://skunkadelia.com/?post_type=product&p=5335 Liz m338 https://skunkadelia.com/works/liz/ Mon, 04 Dec 2017 20:38:19 +0000 https://skunkadelia.com/?post_type=product&p=5280 The Girl With the Purple Cane'.
While I normally don't do portraits, I was excited to give it a try with after watching Liz speak: she has a strong personality and I was excited to see what pieces of metal I could find that would fit together to give the impression and spirit of her. Finding the blue bicycle fork blades that became her jeans was a rare stroke of luck​ - I felt that was a great sign. The bracelet was inspired by her sweatband, and I smiled pretty hard when I welded the head at the right tilt - that's when I think she really came to life. Spare Parts Liz was also the first Astrobot to have glasses, and it took some iterations and even some bench grinding before I felt they were right. Probably the most challenging part was the hand holding the purple cane: to get metal to act as if it's holding a handle, resting some weight. I'm very happy how she seems to be slightly leaning on the cane, but not too heavily. It was also very gratifying to use a small sledgehammer to get her rivet-fingers to curl around.
I learned a lot from listening to the Girl with the Purple cane and it was an honor to make Spare Parts Liz.
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Brie c329 https://skunkadelia.com/works/brie/ Fri, 01 Dec 2017 18:03:33 +0000 https://skunkadelia.com/?post_type=product&p=5272 Jackie m328 https://skunkadelia.com/works/jackie/ Mon, 27 Nov 2017 17:03:42 +0000 https://skunkadelia.com/?post_type=product&p=5249 Stormy m324 https://skunkadelia.com/works/stormy/ Fri, 22 Sep 2017 15:04:24 +0000 https://skunkadelia.com/?post_type=product&p=5148 Bibi i322 https://skunkadelia.com/works/bibi/ Fri, 22 Sep 2017 01:30:51 +0000 https://skunkadelia.com/?post_type=product&p=5136 Apollo m323 https://skunkadelia.com/works/apollo/ Fri, 22 Sep 2017 00:59:29 +0000 https://skunkadelia.com/?post_type=product&p=5129 Io n320 https://skunkadelia.com/works/io/ Thu, 31 Aug 2017 06:20:46 +0000 https://skunkadelia.com/?post_type=product&p=5114 Steel bushing, roto mill tooth, six bicycle parts, two bolts, knurling nut, bronze.

3.5 x 2.5 x 2"]]>
Rebar n318 https://skunkadelia.com/works/rebar/ Tue, 29 Aug 2017 14:04:36 +0000 https://skunkadelia.com/?post_type=product&p=5090 Sonja m319 https://skunkadelia.com/works/sonja/ Thu, 24 Aug 2017 06:09:06 +0000 https://skunkadelia.com/?post_type=product&p=5091 Pip a317 https://skunkadelia.com/works/pip/ Sat, 08 Jul 2017 18:46:48 +0000 https://skunkadelia.com/?post_type=product&p=5079 Judy c315 https://skunkadelia.com/works/judy/ Sat, 08 Jul 2017 18:34:16 +0000 https://skunkadelia.com/?post_type=product&p=5073 Gaia m316 https://skunkadelia.com/works/gaia/ Sat, 08 Jul 2017 18:12:13 +0000 https://skunkadelia.com/?post_type=product&p=5066 Xander c314 https://skunkadelia.com/works/xander/ Fri, 02 Jun 2017 02:35:21 +0000 https://skunkadelia.com/?post_type=product&p=5027 Boston Bike Builder Bash at Ride Headquarters in Sherborn, Massachusetts, on Saturday, June 3rd 2017. 2 lbs, 10 oz. 13 x 6.5 x 4.5"]]> Evelyn m310 https://skunkadelia.com/works/evelyn/ Thu, 25 May 2017 03:52:32 +0000 https://skunkadelia.com/?post_type=product&p=5020 Lucy d311 https://skunkadelia.com/works/lucy/ Tue, 23 May 2017 15:51:46 +0000 https://skunkadelia.com/?post_type=product&p=5013 Otis d308 https://skunkadelia.com/works/otis/ Tue, 23 May 2017 15:26:53 +0000 https://skunkadelia.com/?post_type=product&p=5003 Adriana m307 https://skunkadelia.com/works/adriana/ Wed, 17 May 2017 15:46:22 +0000 https://skunkadelia.com/?post_type=product&p=4994 6 lbs. 7 oz. 20 x 7 x 5"]]> Cameron i312 https://skunkadelia.com/works/cameron/ Wed, 17 May 2017 04:22:50 +0000 https://skunkadelia.com/?post_type=product&p=4979 Isaac c313 https://skunkadelia.com/works/isaac/ Wed, 17 May 2017 04:09:55 +0000 https://skunkadelia.com/?post_type=product&p=4972 Bart i306 https://skunkadelia.com/works/bart/ Mon, 17 Apr 2017 16:43:39 +0000 https://skunkadelia.com/?post_type=product&p=4928